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Korg Kronos 88

3.999,00 3.190,00

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Beschrijving

Evolve.


Wanneer ambitie, verbeelding, en technologie samenkomen, dan zijn de resultaten spectaculair! Aanschouw de KRONOS. Gemaakt door KORG voor de meest veeleisende, volbrachte performers en producenten. De KRONOS belichaamt meer dan 50 jaar van artistieke visie en productie deskundigheid. Met negen verschillende synthesis engines en een complete suite van de prestatie en productie tools, KRONOS is gewoon de meest veelzijdige synthesizer ooit gemaakt.

 

KRONOS herstelt de magie, de sensatie, en de belofte dat alleen een visionair nieuwe instrument kan bieden. En KRONOS levert op die belofte. Alle middelen en de technologie van de dienstverlening aan de moderne muzikant is verfijnd, geperfectioneerd, en geïntegreerd in een enkel instrument. Meerdere state-of-the-art sound generation technieken vertegenwoordigen het toppunt van software realisatie. Onboard effecten open de deur naar de verwerking van een interne of externe audiobron met schitterende resultaten.  Hands-on hardware is voorzien van een toewijsbare controle-oppervlak, dual joysticks, lint controller, top-of-the line klavier en KORGs revolutionaire tap-and-drag TouchView ™ kleurendisplay. Het beste van alles, KRONOS integreert al deze musicerende middelen in een enkel instrument op een manier je nergens anders zal vinden.

 

 

 

Specificaties: 
System 
SystemKRONOS System Version 3.0
Keyboard88 key: RH3 (Real Weighted Hammer Action 3)
  
Tone Generator 
Synthesis TypesSGX-2: Premium Piano (Acoustic Piano)
EP-1: MDS Electric Piano (Electric Piano)
HD-1: High Definition Synthesizer (PCM)
AL-1: Analog Synthesizer (Analog Modeling)
CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
STR-1: Plucked Strings (Physical Modeling)
MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX: Component Modeling Technology (Analog Modeling)
PolysixEX: Component Modeling Technology (CMT Analog Modeling)
Maximum PolyphonySGX-2: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices
Preset PCM314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)
Build-in Expansion PCM Libraries   EXs1 – ROM Expansion
EXs2 – Concert Grand Piano
EXs3 – Brass & Woodwinds
EXs4 – Vintage Keyboards
EXs5 – ROM Expansion 2
EXs6 – SGX-1 German D Piano
EXs7 – SGX-1 Japanese C Piano
EXs8 – Rock Ambience Drums
EXs9 – Jazz Ambience Drums
EXs17 – SGX-2 Berlin D Piano
EXs18 – KORG EXs Collections
PCM RAM CapacityApprox. 2GB
Wave Sequences598 User memory, 187 Preload
Support for stereo multisamples, synchronization of individual notes,
and tempo-based settings.
  
SGX-2 Program 
Premium PianoVirtual Memory Technology (VMT) plays large samples directly from the internal SSD
Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Modeled String Resonance.
Una Corda sample support
PCM
EXs6:SGX-1 German D Piano
EXs7:SGX-1 Japanese C Piano
EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
8 velocity levels, no Una Corda samples
EXs17:Berlin D Piano
12 velocity levels, includes Una Corda samples
Piano Type64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)
Oscillator ControlDamper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda
  
EP-1 Program 
MDS Electric PianoTine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
Electric Piano Model Types6: Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator ControlHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
Panel ControlTine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
Effect Types9: Small Phase, Orange Phase, Black Phase, Vintage Chorus,
Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
  
HD-1 Program 
Advanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
StructureSingle: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.
OscillatorsVirtual Memory Technology (VMT) plays large samples directly from the internal SSD.
8 velocity zones per oscillator, with switching, crossfades and layering 
Each zone can play mono or stereo Multisamples or Wave Sequences
FiltersTwo multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
Four-mode filter routings (single, serial, parallel and 24dB mode)
DriverPer voice non-linear driver and low boost circuit
EQThree bands, with sweep-able mid
ModulationThree envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
  
EXi Program Common 
Advanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
ModulationCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
EQThree bands, with sweep-able mid
  
AL-1 Program 
OscillatorsUltra-low-aliasing oscillators
OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
Audio InputExternal audio can be processed through the ring modulator, filter, driver, amp, and EQ
FiltersTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
DriverPer-voice non-linear driver and low boost circuit
ModulationFive Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
  
CX-3 Program 
Tonewheel Organ ModelingPhase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
EX ModeFour additional, user-specified drawbars, and expanded percussion.
Internal EffectsRotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar ControlControlled via nine front-panel sliders (via Tone Adjust)
SplitUpper, Lower (even in EX mode)
ModulationTwo AMS mixers
  
STR-1 Program 
Physically Modeled StringIncludes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
Most string parameters can be controlled in realtime.
String ExcitationThree independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
PCM Oscillator:
KORG’s ultra-low-aliasing technology, as introduced in the HD-1;
4 velocity zones per oscillator;
Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
Supports Virtual Memory.
Excitation Filter:
Dedicated 2-pole multimode filter for shaping the string excitation.
Filter can be enabled/disabled separately for each excitation source.
Low Pass, High Pass, Band Pass, and Band Reject modes
Audio Input and FeedbackRun real-time audio through the string, including feedback through effects.
Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
FiltersDual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter Mode (Filter A only).
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Modulation5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
  
MOD-7 Program 
Waveshaping VPM SynthesizerCombines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
Oscillators6 VPM/Waveshaper/Ring Modulation Oscillators:
Phase and modulatable pitch per oscillator.
101 Waveshaper tables plus modulatable Drive and Offset.
Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
PCM Oscillator:
KORG’s ultra-low-aliasing technology, as introduced in the HD-1.
4 velocity zones per oscillator.
Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
Audio inputRun real-time audio through the VPM Oscillators and filters.
FiltersDual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
Two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Patch PanelSupports both preset algorithm (78 types) selection and free patching.
Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
Modulation10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.
  
MS-20EX Program 
OscillatorsUltra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
Audio InputRun real-time audio through the synthesis engine and ESP (External Signal Processor)
Filters12dB/octave High Pass and Low Pass self-resonant filters
ESP section:
24dB/octave Low Cut and High Cut filters, available per voice.
Patch PanelPatchable audio and modulation, at audio rates
Patch PointsKeyboard:
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO:
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF:
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF:
Total External Modulation In
VCA:
External Initial Gain Control In, VCA In
EG:
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG:
Triangle Out, Rectangle Out
Noise Generator:
Pink Noise Out, White Noise Out
Sample and Hold:
Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA:
Control Voltage In, Signal In, Signal Out
Manual Controller:
Control Wheel Out, Momentary Switch
ESP:
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others:
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
ESP (External Signal Processor)Use incoming audio as a trigger and/or CV source.
ModulationOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
Original MG (with MIDI sync), Sample-and- Hold, MVCA,
KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.